Atlantis symbol

atlantis symbol

Symbol des lichten Atlantis. Die drei Rauten stellen jeweils die Pyramide von Poseidonis dar. Die innerste Pyramide umgibt uns, jeden einzelnen Menschen. Atlantis (altgriechisch Ἀτλαντὶς νῆσος Atlantìs nḗsos ‚Insel des Atlas') ist ein mythisches Als Symbol für eine fantastische Gegenwelt erscheint Atlantis bereits in der romantischen Novelle Der goldne Topf von E. T. A. Hoffmann. Das urzeitliche Symbol, das wie ein frühes Ankh aussieht, erscheint als ein gleichschenkliges Dreieck mit einem waagerechten Arm auf der Spitze, der von zwei.

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So is its counterpart, the Ark of Covenant, the throne or footrest of Jahveh. These two apparently correspond to Jachin and Boaz and, more exactly, to Atlas and Hercules-Gadeiros, the two pillars of Spela Black Knight II på Casumo och vinn stort!. As a result, talents which we are not sufficiently aware of and that we haven't used properly, become stronger and more conscious. Cosmas Indicopleustes in the sixth century wrote of Atlantis in his Christian Topography in an attempt to prove his theory that the world was flat and surrounded by water: The Dancing Goddess is another important, fortunes motif. Archaeologists broadly agree with the view that Atlantis is quite simply 'utopia' Doumas,a stance also taken by classical philologists, who interpret Atlantis as a metaphorical casino 4 home than an Beste Spielothek in Koppl finden place Broadie, ; Gill, ; Nesselrath, Casino sportsbook was the origin of geographical coordinates, which, in Hindu antiquity, lay in Indonesia. The inner sanctum of the temple represents the Holy Mountain inside which Osiris and his many aliases Yama, Kronus, Saturn, Shiva, Jahveh, Christ, and so spielplan em halbfinale lay entombed, awaiting for the moment when they are to resurge in the glory of the parousia to bring back the Golden Age and the Millennium. Retrieved 16 August Finally, the inner sanctum or adytum of the Egyptian temples was, like the one of atlantis symbol Temple of Jerusalem, the sacred precinct where the dead god of Paradise reposed inside his ark or coffin, until the time came for him to resurrect back to life. More correctly, this mountain is identical with Mt. This seven stepped structure is also characteristic of Egypt.

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God Only Knows Beach Boys. Here Comes the Sun Beatles. She's Not There Zombies. As can be seen, this magnificent pyramid is the stony embodiment of a mandala, a stylized representation of Paradise and its several stages.

One can also see, in Fig. This triple wall corresponds to the one of Atlantis, and is encountered in all such Hindu representations of Paradise.

It also figures in the description of sunken Paradises turned Hell such as the one of Tartarus in Hesiod Theog.

As we said, Borobudur is one of the most impressive monuments ever erected by man. It is both a temple and a memorial where the cryptic doctrines concerning Adi Buddha and his mysterious Paradise are exposed to the initiates.

And these doctrines center on its destruction by fire and water, just as happened to Atlantis. If that connection is allowed, there can be no doubt that the myth of Atlantis originated in the Far East, as it indeed did.

The pyramid of Borobudur represents the Holy Mountain Mt. Atlas or Meru , just as the whole complex represents the Holy City.

This six stepped pyramid is capped by a shrine or stupa itself composed of three round stages topped by a bell-shaped shrine where the relics of Adi Buddha were contained.

This seven stepped structure is also characteristic of Egypt. Its pyramids almost invariably have seven steps, even though these may been hidden under the smooth outer cladding.

As we see, both in Indonesia and in India, pyramids fit the local traditions and the local geography, in contrast to Egypt and Mesopotamia, or even the Americas, where they make no sense at all, and where archaeologists still argue whether their purpose was to serve as tombs, cenotaphs, temples or whatever.

The symbolism of Borobudur centers on the gradual revelation of the several levels of reality to the initiants, more or less in the way the Egyptian temples did, as explained above.

It was meant to enlighten the visitor and to cause his spiritual progress, as he ascended gradually and finally reached the summit. The monument proclaimed the unity of the Cosmos permeated by the light of Truth.

For, after all, ten is the number of Indian Atlantis, just as seven is the one of Paradise Lemurian Atlantis.

The Wat is an enormous pyramidal complex of some x m2. The complex is surrounded by a vast cloister and is approached from the west.

This is done via a monumental paved road built upon a causeway delimited by balustrades formed from standing serpents nagas.

These Nagas symbolize the Cosmic Pillars that support the world, and which are the Eastern counterparts of the Titan Atlas. The reference to Atlas suggests an undeniable connection with Atlantis.

The Wat rises in three concentric enclosures that define three courtyards, as in the Jewish and the Egyptian temples discussed above. The symbolic meaning of the Wat pyramidal complex is clear to specialists.

It corresponds to the Polar Mountain Meru , the hub of the universe. The central shrine corresponds, as in Borobudur, to the supreme reality, while the lower levels, the gate complex, the cloister, the city of Angkor and the outer world represent, in descending order, the outer shells of reality.

The orientation of Angkor Wat towards the West represents the fact that it was a mortuary temple. The Angkor Thom is even more grandiose than Angkor Vat.

Like its predecessor, it replicates the sacred city of Paradise Lanka , built upon the slopes of Mt. The city was in turn, also a symbolic replica of the Cosmos, on whose shape it was designed.

This symbolic universe follows Hindu Cosmological doctrines. When possible, the kings of Angkor utilized natural hills for the construction of their holy cities.

When this was impossible, they built artificial mountains in the shape of stepped pyramids like the beauttiful ones of Angkor Thom and Angkor Vat.

The central pyramidal complex of Angkor Thom, the Bayon, is the biggest though not by all means finest of them all. Within the moats of Angkor Thom, fully 16 km around, lie the huge complexes of buildings and of barays dams , lakes and irrigation channels that formed the sacred city, its temples, houses and palaces.

The plan and conception of angkor Thom are both grandiose. Meru , and spreading in successive waves from it.

This plan is based in the Cosmogonic myth known as The Churning of the Ocean of Milk and, even more exactly, in the lotus-like mandalas such as the beautiful Shri Yantra.

The two monumental roads leading to the central tower of Angkor Thom are lined with a mile-long road of divine personages pulling on the body of the Serpent Shesha Vasuki in a giant tug-of-war, exactly as in the myth just mentioned.

The serpent is coiled around the Polar Mountain Meru that served as the giant churning stick activated by the devas and the asuras. The two parties pull on opposite sides of the churning rope which consists of the immensely long body of the Serpent Shesha.

Below, at the bottom, lies the Turtle Kurma , that represents the Paradise sunken to the bottom of the Ocean of Milk in consequence of the war.

The complex of Angkor Thom is also decked with lakes and ponds and fountains representing the healing waters of Paradise called Barays.

These symbolize the Fountains of Life that are the central feature of Paradise everywhere. Another important myth illustrated in Angkor is the Legend of the Leper King and his magic healing by means of these wondrous waters which are no other than the Elixir.

This ancient Hindu myth somehow passed into Christianity, where the Leper King is identified with King Abgarus and his magic healing is attributed to the Holy Sudary, the actual image of Christ obtained by equally magical means.

There can be no doubt that the legend of the Leper King originated in the Indies. There it dates from times well before the advent of Christianism as a religion on its own.

This serves to prove the force of diffusion of myths, legends and religions traditions from earliest times and from the most remote regions of the world.

Hence, it should not come as a surprise to find out that a similar diffusion also took place for the far more important traditions concerning Atlantis and its destruction at the dawn of times.

It was precisely the destruction of Paradise that forced the survivors to come out from Eden and move into distant regions of the world to which they brought the light of their civilization and their beautiful religion.

There can be no reasonable doubt then that Religion and Civilization developed in Paradise, just as our myths and traditions affirm.

From there, after its destruction it was handed down to us by the survivors of the Atlantean cataclysm. They appeared to us primitives as the gods the angels, the saints, the heroes and the demons that are invariably mentioned in all ancient traditions.

Hence, just as the Hindus philosophically affirm, there are evils that come to good. And we also see that Catastrophism is indeed a fundamental aspect of Evolution, despite the skepticism of the academicians imbued with the arrogance of the science they mistake for Wisdom and, often, for Compassion.

Creation spreads from its Cosmic Centers due to the impact of bangs and catastrophes such as the one that destroyed Atlantis and caused the end of the Pleistocene Ice Age.

Such is the idea embodied in the Shri Yantra and in the Kalachakra mandalas that are precisely the graphic expressions of the doctrines of Tantrism and of Kalachakra Buddhism.

Hence, we see, much to the surprise of most of us, that Religion is indeed Wisdom, and that it is invariably far more right and truthful than Science.

Truncated pyramids and obelisks are a constant in Egyptian symbolism. This symbolism has passed into Masonic ones, and a topless pyramid figures in the Great Presidential of the U.

Such is also the symbolism of the stunted pylons of the Egyptian temples as well as the one of their archetypes, the gopuras of Hindu ones.

In reality, the pylons of Egyptian temples represent the Triple Mountain Trikuta , the true archetype of Mt. Such is indeed, we repeat, the symbolism of the imposing pylons that invariably garnished the entrance of Egyptian temples of Ramesside and later times.

The same symbolism was also expressed by the two obelisks that very often also figured before the pylon itself. As we discussed further above, the two flagpoles that also decorated the pylons of Egyptian temples likewise corresponded to the two Pillars of Hercules.

The Celestial Twins are represented in the Zodiac by a pair of parallel poles, another symbol of the Pillars of Hercules.

The Dioscuri are copied, almost verbatim, from their Vedic archetypes, the Ashvin Twins. But these two founders of the world are no other than the archetypes of Krishna and Balarama and, hence, of Atlas and Hercules.

As we commented further above, these gods are also the Twins figured on the two jambs of the pylons of Egyptian temples and indifferently butchering the Atlantean residents of Paradise, at its destruction.

As we see, no matter where we look, we always end up with the myth of Atlantis. Hence, recapitulating what we just adduced above.

The two pylons or stunted pyramids of the Egyptian temples correspond to the two pillars Jachin and Boaz that decorated the Temple of Solomon. They also correspond to their two obelisks and their two divine flagpoles neters , and even to their twin guardians.

To sum it all up: But these Pillars of Hercules were not indeed the ones at Gibraltar phony ones but the ones that flank the Strait of Sunda in Indonesia and which are the real Pillars of Hercules that allowed the ingress to Paradise in antiquity, before Atlantis was destroyed by the Flood.

It is interesting to note that the symbolism of the Christian cathedrals and churches closely correspond to the one of Egyptian temples.

In them, the spires or towers substitute the twin pylons or pillars of Egyptian temples. The towers of many cathedrals such as Notre Dame see Fig.

The idea is to represent the fact that their tops were destroyed in a giant volcanic explosion, the one that destroyed Paradise.

The flimsy third tower of Notre Dame represents the regrowth of the destroyed Paradise. They also recognize that their spires represent, just as do those of Hindu and Egyptian temples, the lofty mountains of Eden.

Thence flowed the River of Life, branching out into four rivers, in perfect correspondence with the Hindu myths on Mt.

Meru, the Mountain of Paradise. As it is not conceivable that the far older and extremely conservative Hindus cribbed their temple symbolism from that of the Christians, or even from the Egyptians, we are compelled into accepting that the diffusion took the opposite direction.

In fact, both the Egyptians and the Christians acknowledge that their doctrines, symbols and traditions originated in Paradise.

Now, these two sites are one and the same thing. They were located Indonesia or, rather, in the Australasian continent beyond it. This vast piece of land was sunken down at the end of the Pleistocene Ice Age, some 11, years ago, the very date given by Plato for the demise of Atlantis.

Egyptian temples appear to be consistently older than their Hindu and Indonesian counterparts. This is due to the fact that the Egyptian temples were buried under the desert sands, and were thus spared in great extent from the fanatic destruction by the early Christians and their successors, the Muslims.

The Indian temples were methodically razed by the Muslims, and hence only date, with minor exceptions, from later epochs, when religious fanaticism finally yielded to the voice of reason.

But we find the Hindu traditions and temple symbolism throughout the Far East, and who knows the surprises that await us in the forests of Indonesia or under its shallows seas, the burial place of Atlantis.

The symbolism of Hindu temples and pyramidal complexes extends farther out into the Pacific region, all the way to the Americas Mayan and Aztec pyramidal complexes and temples.

It is, hence, reasonable to ask: No one will reasonably argue that diffusion took place under the aegis of historical or even prehistorical Egypt and, even less, of Mesopotamia or of Phoenicia or Israel.

We are left with India and Indonesia and a very, very ancient tradition that can only date from Atlantean times and her worldwide empire.

As we commented further above, the tradition that eventually resulted in the sacred geometry of the Egyptian temples was probably brought to Egypt by the Gerzeans, who conquered pre-Dynastic Egypt, some five or six millennia ago.

The Atlantean tradition is intimately connected with the Phoenicians, and the Gerzeans seem to have been proto-Phoenicians. And they apparently came from Punt, to judge from their symbolism, which we study in detail elsewhere.

To this pristine tradition that forms the base and essence of the ancient religion guessed by many specialists, belong not only Hinduism and Tantric Buddhism, but also Egyptian religion, that of Mesopotamia, the one of the Mayas and Aztecs and, why not, that of the Christians and the Jews.

We are all brainwashed into believing, from earliest childhood, that our own religion is unique, historical and original, whereas those of the Pagans are all impious, diabolic inventions, which are, furthermore, grossly polytheistic and idolatrous.

But this is only an illusion, for essentially all regions derive from the Urreligion which we just mentioned. It is this killing en masse that is depicted in the pylons of Egyptian temples, as we mentioned above.

As is the case of Notre Dame, most Christian churches and cathedrals have three towers spires. Except that the third, central tower, is usually smallish and stunted, and is often almost invisible.

The three towers are often pyramidal in shape, just as is the case of the pylons of Egyptian temples or the gopuras of their Dravidian counterparts.

The stunted central tower commemorates Mt. Atlas, the central Pillar of Heaven that exploded and collapsed, causing the skies to fall down over Atlantis sinking it under the sea.

The central, stunted tower of Christian churches and cathedrals is often placed upon the front door of the edifice as a sort of pediment.

This is done as shown in Fig. The structure of St. The two lateral spires are pyramidal in shape and are far taller than the central, more massive structure.

Here this structure is domed to represent the Celestial hemisphere that collapsed over Paradise. At the front we have the huge door or gateway, with its triangular pediment above.

The lowly pediment represents the fact that Mt. Atlas was crushed down by the weight of the overloaded skies it was unable to support. The many pillars in front of St.

Likewise, the clocks that often decorate churches and cathedrals are intended to remind us that time flows inexorably, leading the world to the end of the present era, just as happened in the former one.

And that end is now impending on us, according to the Gospels and innumerous other traditions that affirm that the end is near. At the forefront of St.

This fountain commemorates the well-watered barays of Far Eastern Paradises, as we discussed further above. In other words, they replicate, just as did the ancient Egyptian temples, the Triple Mountain of Paradise with its central peak collapsed and turned into a gateway.

This gate is often decorated by pillars precisely as was the case of the Temple of Solomon or that of Egyptian temples. Such puns do not obtain in any other language we know of, except insofar as they are derived from the tongues just mentioned.

Hence, we see why Egyptian temples such as the one of Dendera and, indeed, most if not all others, were full of palm-tree stems figuring the pillars of Atlantis.

As we just said, the many pillars of Christian churches and cathedrals also commemorated the same fact, perhaps unwittingly.

The temple of Dendera and others in Egypt was built underground, with the city of Dendera constructed above it. Again, the idea was to represent the realm of Atlantis sunken underground by the cataclysm that turned this former paradise into a veritable hell, with a new world built over it, the former one.

It also represents Shesha, the Standing Serpent who was the alias and archetype of Atlas. All in all, the symbols and the sacred geometry of temples and cathedrals everywhere only find their full explanation in the languages and archetypes of India and Indonesia.

And this can only mean one thing, when we pause to think the problem over: If this undeniable reality is accepted, we can only conclude that therein lies the true site of Paradise-Atlantis.

We would also like to point out the fact that, though the ancients had to follow the rigid canons pertaining to the sacred geometry of temples and cathedrals, this in no way hampered their creative freedom.

Though always following these stringent canons, the ancient architects and stonemasons exercised their creativity and came out with the magnificent temples and cathedrals that we can see, even today, just about everywhere in the world.

Temples, more than anything, attest the unicity of the Primordial Religion, for they all obey the same Sacred Geometry everywhere and everywhen.

The fact that they all imitate Paradise and, more exactly, Atlantis, is, in our view, the most compelling evidence that the Lost Continent indeed existed, just as Plato stated.

It was Atlantis that civilized the whole of the ancient world, in prehistoric times far earlier than the rise of Egypt, Mesopotamia, Greece, Rome, and the other civilizations we know of.

Atlantis is indeed so old that its existence was utterly forgotten by all but the pious traditions that come to us from antiquity. The existence of Atlantis-Paradise is indefinitely stated in our holy rituals and in the sacred symbols of all religions.

But we utterly forgot their meaning and purpose long ago. And we only perform our rites apishly, and copy our symbols blindly, never connecting them to the originals at all, and never realizing that they indeed commemorate Atlantis and its demise, in the dawn of times.

Imhotep was not only the inventor of the arts of architecture and metallurgy, but also of the art of writing cursive?

Imhotep was, allegedly, the son of Ptah, the god of Punt, the Land of the Gods. And Punt was no other than Indonesia, as we already said.

So, Imhotep was indeed a Hindu from Indonesia, the name we now give to Punt. Imhotep-Asclepios was often identified or associated with serpents, an emblem of his Naga nature, the Nagas being the white Serpent People or Dragons of India and Indonesia.

Solomon imported Hiram and his gangs of workers and artificers from the equally legendary Tyre the Primordial Phoenicia that is the same as Ophir or Punt.

Perhaps both Imhotep and Hiram Abiff, the legendary founder of the Free-Masons, were indeed the personifications of the crews of specialists imported from the Indies in the primordials of civilization.

Perhaps even the Goths who build the Gothic cathedrals belong to the same confrary of Indian experts in guilded crafts such as stone masonry, smithing metals, and so on.

Eliade and by A. Coomaraswamy, and is routinely used in the construction of Hindu temples. The stake is driven into the head of the subterranean Naga Shesha that supports the earth from below, and who is the alias of Atlas, the anguipedal Titan.

The circle with the crossed diameters is, in reality, an image of the earth, usually thus represented in antiquity. More esoterically, the Crossed Circle is a symbol of Atlantis, which had precisely this shape, as described by Plato.

Atlantis imaged Lanka, indeed placed at the Center of the World, at the intersection of the line of the Equator and that of Meridian Zero.

This was the origin of geographical coordinates, which, in Hindu antiquity, lay in Indonesia. The Crossed Circle was also adopted as the symbol of Atlantis, as several Atlantologists of note such as Otto Muck have remarked.

As we argue elsewhere, the Crossed Circle represents the Holy Mountain seen from above. We find the Holy Mountain thus represented both in the Americas Navajos, etc.

The Holy Mountain is also represented as a Cross, as seen from above, in the famous Hindu Kalachakra Mandalas, a standard representation of Paradise.

The Dravidian term evokes the Hebrew ones applied to pillars mazzeba , bethel. Very often, the building itself adytum was comparatively small.

The square shape corresponds to the earth, whereas the circle symbolizes the sky the horizon. In essence all such structures represent Mt.

Meru is pyramidal in shape, but is also often represented as a cone. Many temples and pagodas often ingeniously combine the square shape and the round one.

They departed from the port of Ezion-Geber, in the Red Sea and, hence, could only go southwards, to the Indies, and not north, towards the country now called thus, in commemoration of the primordial Lebanon.

The radix leb- or lev- , etc. Above all, it alludes to Lanka, the legendary Island of the Lions so often equated with Atlantis, Avalon and other such Paradises.

This mysterious parable is the famous Hindu one concerning the two birds and which dates from Vedic times in India. It figures in the Rig Veda 1: This is the most mysterious of all in the already enigmatic Vedas.

We discuss the mysterious parable of the two birds in our book on Alchemy, and will not repeat this subject here. The passage just mentioned of Isaiah is telling of the return of the children of Israel to their formerly destroyed but recovered Eden, where they will again rebuild the Celestial Jerusalem.

The Great Sphinx is mentioned in the famous stele attributed to Honitsen, the daughter and lover of Kheops, as existing in the times of her famous father.

Moreover this stele also mentions the Great Pyramid as the tomb of Osiris. There are also other instances in ancient Egyptian records of the existence of the Great Pyramid before the times of Khufu Kheops.

Indeed, both this pharaoh and his whorish daughter are purely legendary, semi-divine characters who often figure in Egyptian tales as well as in those of other nations.

This is an epithet often applied to the sphinxes in Egypt. Hence, we see that sphinxes were believed to be the guardians of the dead, just as the Great Sphinx was the guardian of the Great Pyramid, the tomb of Osiris.

But this is only a rather transparent image. The sun or, rather, Ra, the Sun-god, was a personification of the dead Atlantis.

The fact that the Egyptians formally called the southeastern gate by the name of Eastern or Oriental Gate is also full of esoteric symbolisms.

There, the Old World civilizations arose and died. Lanka is old even in regards to India, and it was there that its great epic, the Ramayana , was composed.

In fact, Lanka was the site of Paradise, the one we know under the name of Eden. And this was Indonesia, the site of Lanka, the meridian of origin in antiquity.

The Egyptians, like the Greeks and other peoples, attempted to transfer the myth to their new place of residence. But this never worked, and only led to riddles and paradoxes that even today torment all sorts of experts, unable to solve the puzzle created by this change of point of reference.

Such name indeed derives from Hindu epithets of Mt. Despite its importance, it cannot be treated here for reasons of space, and we recommend that the interested reader seek our works on this subject.

The symbolism of the lotus in both Egypt and India is treated in other works of ours,which should be consulted by the more sanguine reader.

When one looks at a map of the region, the reason for the allegory becomes evident. The figure represents quite accurately the local geography. One such is the three-stepped pyramid that is the characteristic crown of Isis herself a personification of the Great Mother, Mu or Lemuria.

Other variants of the triple crown are the two horns and central disk of Hathor, the two horns and central peak of Reshet, the triple lotus flowers or papyrus stems of Hapi, the trident crown of Iabet, the triple-peaked mountain of Ha, the two arrows and shield of Neith, the triple atef crown of Osiris, and so on.

In the Christian churches and cathedrals, the Triple Mountain usually assumes the shape of the double lateral spires flanking the central, dwarfed tower.

Its stunted size refers to the fact that it exploded and collapsed, as explained further above. Its value varied, in the ancient world, from about 18 to 21 inches 46 to 53 cm.

The cubit is worth about half a yard 36 inches or half a meter, and it is not impossible that the original measures of the Temple were given in yard or meters with the inner sanctum measuring exactly 10 x 10 x 10 meters or yards.

Such a double unit standard of about 1 meter in length seems to have prevailed in the ancient world, and it is likely that the meter unit was accurately known from Atlantean times, as we argue elsewhere.

The linga that is, the phallus of Shiva is the emblem of the Supreme God and, hence, of gods in general. It expresses, as does the word ketu , the idea of Mt.

Meru as the phallic mountain at the center of the world. It also symbolizes the fall of the vajra , the thunderbolt that destroyed Paradise Jambudvipa.

The linga was the archetype of the concept of the netjer as a sort of omphalos or raised stone and, more exactly, as an avatara of the deity fallen from heaven as a sort of very special meteorite.

The dvipas were circular and concentric, separated by circular oceanic strips. The enormous jambu tree planted at the center of Jambu-dvipa was the archetype of the Tree of Life everywhere.

In reality it was the volcanic plume of Mt. Atlas or Meru which served both as a lighthouse and as an ensign and a warning to all nations that grow impious and arrogant as Atlantis did.

It was opened by a gigantic prehistoric explosion of the Krakatoa volcano that lies at the bottom of the strait.

Obviously, such a thing did not happen in Gibraltar, at least in the times of Man, in contrast with what indeed took place in Indonesia.

This event, which is central to the understanding of the true story of Atlantis is allegorized in a multitude of myths from everywhere, as we explain in more detail elsewhere.

Once again, the visual pun that does not make any sense in Egypt can be traced back to India. More exactly, it can be traced back to Atlantis and the Dravidas, for the wordplays with its name indeed derives from that primordial language, ancestral of that of the ancient Egyptians.

However, in the ancient myths the heroes and saints were said to become pillars in Paradise, that is, in Atlantis.

It is thus that Cu Chullain and his braves turn into pillars in their final battle. This fact can be seen, f. The terraces are required not only to control the water flow, but also to prevent erosion and to preserve the fertility of the soil.

The rain waters are collected at the summit of the mountains and stored in dams called barays in Southeast Asia and Indonesia.

This word derives from the Dravida para-tt-is meaning a dam or cistern para built upon a mountain or volcanic peak in order to provide water is for agricultural purposes and, particularly, for the cultivation of rice in terraced mountains.

Even today it is possible to observe the terraced mountains used for cultivation in India, in Indonesia, in Southeast Asia and, indeed, in the whole of the Far East.

It is said to have originated in Shambhalla, the mysterious underground realm of the King of the World Subterranean Atlantis? Moreover, its doctrines are apocalyptic and center on the return of the Saviour as Kalkin, the White Knight who is the 10th.

Adi Buddha was born in the Terrestrial Paradise Atlantis? The idea of a land destroyed by fire pervades Tantric Hinduism and Buddhism. It closely evokes Atlantis, another Paradise allegedly destroyed by fire in a volcanic conflagration very much like the one connected with Adi Buddha.

Is it believable that such a sublime religion be founded on a fiction or on a lie rather than on real fact?

Moreover, it is a fact that the world was subjected to a global cataclysm of cosmic proportions precisely at the date preconized by Plato and other authorities.

That cataclysm was the drastic end of the Pleistocene Ice Age, when a myriad of species such as the mammoth, the mastodon, the saber-toothed tiger, the cave bear, the mountain lion and many such became utterly extinct the world over.

So, we have both the tradition and the actual fact behind it. Why insist on rejecting their connection? It is an allegory of the destruction of Paradise as a consequence of the war of the devas and the asuras.

This Paradise and this war is no other than Atlantis and its war, narrated by Plato. The interested reader can follow the subtler meanders of this myth, which has baffled experts so far, in the work just mentioned.

These two races correspond to the Gods and the Titans of Greek mythology. As with Atlantis, the war of the Hindus also ended in a cataclysm of Cosmic proportions.

So, as we see, once more, the myth of Atlantis did not originate in Greece or even in Egypt, but in the Hindu myths and religious imagery. These are told in detail in epic traditions such as those of the Ramayana and the Mahabharata , the greatest sagas ever written.

More than charming initiatic novels, these sagas of the Hindus, and so their many traditions, are indeed Sacred History, concerning real persons and real events that took place in the dawn of times, when Mankind still lived in the Garden of Eden, the true site of Atlantis.

These two apparently correspond to Jachin and Boaz and, more exactly, to Atlas and Hercules-Gadeiros, the two pillars of Atlantis.

Gada corresponds to Gadeiros meaning the same , the twin brother of Atlas, according to Plato. Hence, Gada and Agada are indeed the Vedic archetypes of Atlas and Hercules, the twins who co-ruled Atlantis according to the Greek philosopher.

In Egyptian terms, the eternally disputing twins are represented by Seth and Osiris or, yet, by Horus and Seth. The real Lemuria or, rather, Lemurian Atlantis, should not be confused with the vaunted one of Theosophists.

It lies in the Indian Ocean, and corresponds to the Australasian continent sunken at the end of the Pleistocene Ice Age. In reality the Strait of Hercules in question is the one of Sunda, opened up by the gigantic prehistoric explosion of the Krakatoa volcano now lying at the bottom of the strait.

In this case, the Pillars of Hercules are the two majestic volcanic peaks that flank the Strait of Sunda, the Karang 1, meters and the Kalianda 1, meters.

These two are often placed at the two Poles, but this is sheer exoterism. The two Merus are held to be pyramidal in shape, being the archetypes of the pyramids of Giza.

These are three in number, representing the three peaks of Trikuta. The Egyptian temples are stylized replicas of Atlantis, with its mountains, its pillars and its crypts represented explicitly.

The Egyptian temples derive their architecture and conception from that of the Hindu temples of India and Indonesia, particularly those built in the so-called South Indian or Dravidian style.

Pylons are, according to this erudite source: Rituals relating to the sun-god were evidently carried out on top of the gateway… The earliest known pylons may have been constructed in the pyramid complex and sun temple of the 5th Dynasty ruler Nyuserra AC … Many [pylons] also contained internal stairs and rooms, the purpose of which is uncertain.

The illustrious authors go on to say further: Back 2 In reality, this sacred ritual is of Hindu origin, as discussed by M.

Back 3 The Jewish temple was called hekal in Hebrew. Back 4 The cubic structure evokes the one of the Celestial Jerusalem, likewise cubic or pyramidal Rev.

Back 5 Solomon sent Hiram and his men overseas to Ophir in order to fetch him the cedarwood, the sandalwood and the fir teak?

Back 6 Indeed, Ezekiel tells of two Eagles and two Trees of Life one a cedar, and the other a grapevine, as usual. Back 9 As such, these pylons represented the Gate of the Sun, another name of the Mountain of the Orient or of Sunrise , that is no other than Mt.

Back 10 We treat this fundamental matter in detail elsewhere. Back 11 The giant wielding the mace and striking down the Primordial Serpent is an unequivocal reference to Atlantis and to the fact that it lay in Indonesia.

Back 12 This triple-peaked crown, just as the Triple Mountain, can often assume subtle variant shapes.

Back 13 The cubit was, theoretically, the distance from the elbow to the tip of the middle finger of an average sized adult.

Back 14 Such emblems of deity are also frequently used in India and Tibet. Back 17 This type of agriculture is characteristic of mountainous regions and, particularly of the Far East.

Back 19 We discuss this profound Cosmogonic myth of the Hindus in detail elsewhere. Back 23 The ancient authorities, like their modern counterparts, could never agree on the actual location of the Pillars of Hercules and, hence, of Atlantis itself.

Atlantis symbol -

Es war auch keine Schwellung zu sehne — einfach nur dieser schreckliche Schmerz. Bacons Werk blieb unvollendet und wurde erst nach seinem Tod durch William Rawley veröffentlicht. Über den philologisch fiktionalen Charakter des Inselreiches Atlantis besteht in der Wissenschaft dagegen weitgehend Einigkeit. Plutarch nannte als Grund hierfür, dass Platon vor Beendigung seines Werkes wegen seines hohen Alters gestorben sei. Die meisten Teilchenbeschleuniger werden jedoch für praktische Anwendungen gebaut. Genauer gesagt gibt es vier Arten von Maras, die jeweils eine individuelle Hürde auf dem Weg zum spirituellen Fortschritt darstellen. Südfrankreich, zentriert um Rennes-le-Chateau. Die Suche nach dem hypothetischen elementaren Gottes-Teilchen erinnert an die uralte Metaphysik. Und wenn ich bei mir angekommen bin, bedeutet das, die Glückseligkeit zu leben, nach der ich mich sehnte. Das Dodekaeder mit zwölf fünfseitigen Seitenflächen wurde als Lehr-Werkzeug verwendet, um den Einzuweihenden anzuleiten, damit er oder sie sich als Energiesystem erkennen können ähnlich jenem der Erde. So wie das Kreuz als ein symbolischer Repräsentant und Stellvertreter für Jesus gilt, so ist die Erzählung über Atlantis weitergegeben worden vertikal über Generationen hinweg und horizontal in Gruppen von gleichgesinnten Individuen, den grossen Eingeweihten. Ich kann schon hören, wie die Leser denken: Zusammen mit dem Mem für Atlantis ist auch sein Symbol oder Ikon, bekannt als das Kreuz von Atlantis, weitergegeben worden. Sie hörten auf, ihren Wohlstand mit Mässigung zu handhaben, sagt Plato. Wenn es eine gute Wegbeschreibung ins Paradies gäbe, dann habe ich diese gerade mit meinen eigenen Augen gelesen. Vertraue Deiner Intuition und wähle aufgrund Deiner inneren Zustimmung mische und ziehe ein Siegel, auspendeln, Befragung Deines Herzens, nach optischen gefallen, … das passende Siegel aus. Kommentar verfassen Antwort abbrechen.

Atlantis Symbol Video

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Author: Malahn

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