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The Michigan Human Trafficking Commission and a state police task force are working on gathering as many non-profits as possible to apply for the advertising with one goal in mind: Deter people who search for paid sex from following through.

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Another calls and emails referencing human trafficking Michigan have come in to the National Human Trafficking Center.

But spotting these victims can be tough: One place experts say they do show up? It's known as the world's oldest profession, but make no mistake: That figure comes from a first-of-its-kind study done by researchers from Michigan State University and Loyola University Chicago.

They interviewed pimps in Atlanta and Chicago to find out how the digital world has affected the way they do business. The Firekeepers Human Trafficking Awareness Program is continuing its efforts to raise human trafficking awareness.

Over the past year, the program has been working to combat human trafficking in its casino and hotel. Back at the elephant graveyard, Scar tells the hyenas of his plan to kill Mufasa and Simba so that he can become king.

He raises an army of hyenas, promising that they will never go hungry again if they support him " Be Prepared ". Scar takes Simba to a gorge and tells him to wait there.

On Scar's signal, the hyenas start a wildebeest stampede into the gorge "The Stampede". Scar tells Mufasa that Simba is trapped in the gorge.

Mufasa leaps into the stampede and manages to save his son, but as he tries to escape, Scar throws him off the cliff back into the stampede, killing him.

Scar convinces Simba that his father's death was his fault and tells him to run away, but as he leaves, Scar orders the hyenas to kill him. Simba escapes but the hyenas tell Scar that he is dead.

Rafiki and the lionesses mourn the deaths "Rafiki Mourns". Rafiki returns to her tree and smears the drawing of Simba, while Sarabi and Nala quietly grieve.

Out in the desert, Simba collapses from heat exhaustion. Vultures begin to circle, but are scared away by Timon the meerkat and Pumbaa the warthog.

Simba feels responsible for Mufasa's death, but the duo take the cub to their jungle home and show him their carefree way of life and bug diet " Hakuna Matata ".

Simba grows to adulthood in the jungle. The chorus, dressed in colorful clothes with ornate bird puppets and kites, begin the Second Act "One by One".

As the song ends, however, the beautiful birds are replaced by vultures and gazelle skeletons. Zazu, now a prisoner of Scar, listens to the king's woes.

The hyenas are complaining about the lack of food, but Scar is only concerned with himself and why he is not loved. He is haunted by visions of Mufasa and rapidly switches between delusional confidence and paranoid despair " The Madness of King Scar ".

Nala arrives to confront Scar about the famine and Scar decides she will be his queen and give him cubs. Nala fiercely rebukes him and resolves to leave the Pride Lands to find help.

Rafiki and the lionesses bless her for her journey " Shadowland ". Back in the jungle, Timon and Pumbaa want to sleep, but the restless Simba is unable to settle.

Annoyed, Simba leaves them, but Timon and Pumbaa lose their courage and follow him. Simba leaps across a fast-moving river and challenges Timon to do the same.

Timon falls in and is swept downstream. He grabs a branch over a waterfall and calls for Simba's help, but Simba is paralyzed by a flashback of Mufasa's death.

Timon falls from the branch and Simba snaps out of the flashback, rescuing his friend. Simba is ashamed that Timon nearly died because of his recklessness.

The three friends settle to sleep and discuss the stars. Simba recalls Mufasa's words, but his friends laugh at the notion of dead kings watching them.

Simba leaves, expressing his loneliness and bitterly recalling Mufasa's promise to be there for him " Endless Night ". Rafiki hears the song on the wind, joyfully realizes that Simba is alive, and draws a mane onto her painting of Simba.

In the jungle, Pumbaa is hunted and chased by a lioness, Nala. Simba confronts her and saves his friend, but recognizes the lioness as Nala.

She is amazed to find Simba alive, knowing that he is the rightful king. Timon and Pumbaa are confused, but Simba asks them to leave him and Nala alone.

Nala tells Simba about the devastated Pride Lands, but Simba still feels responsible for Mufasa's death and refuses to return home. Mufasa's spirit appears in the sky and tells Simba he is the one true king and must take his place in the Circle of Life.

Reawakened, Simba finds his courage and heads for home. Meanwhile, Nala wakes Timon and Pumbaa to ask where Simba is, and Rafiki appears to tell them all the news.

The three of them catch up with him in the Pride Lands, where he witnesses the ruin of his home.

Scar calls for Sarabi and demands to know why the lionesses are not hunting. Sarabi stands up to him about the lack of anything to hunt, angrily comparing him to Mufasa, and Scar strikes his sister-in-law, saying he's ten times the king Mufasa was.

Enraged, Simba reveals himself. Scar forces a confession of murder from Simba and corners him. Believing that he has won, Scar taunts Simba by admitting that he killed Mufasa.

Simba's friends fight the hyenas while Simba battles Scar to the top of Pride Rock. Scar begs for his life, blaming the hyenas for everything.

Simba lets him leave out of mercy, but Scar attacks again. Simba blocks the attack and Scar falls from the cliff.

The hyenas, who heard Scar's betrayal and are still starving, tear him to shreds. With the battle won, Simba's friends come forward and acknowledge Simba as the rightful king.

The musical incorporates several changes and additions to the storyline as compared to the film. The mandrill Rafiki 's gender was changed to a female role because Taymor believed that there was generally no leading female character in the film.

Several new scenes are present, including a conversation between Mufasa and Zazu about Mufasa's parenting and a perilous scene in which Timon finds himself nearly drowning in a waterfall while Simba feels powerless to help him.

A major narrative addition is the depiction of Nala's departure in the scene "The Madness of King Scar", where the mentally deteriorating villain tries to make Nala his mate.

Nala refuses and later announces her intention to depart the Pride Lands and find help. She receives the blessings of the lionesses and Rafiki during the new song "Shadowland".

Like its predecessor, the Beauty and the Beast musical , the show adds more songs to its stage production, including "Morning Report", sung by Zazu the hornbill and later added to the film for the Platinum Edition DVD release.

It is sung by Nala, the lionesses, and Rafiki. Many of the animals portrayed in the production are actors in costume using extra tools to move their costumes.

For example, the giraffes are portrayed by actors walking on stilts. For principal characters such as Mufasa and Scar, the costumes feature mechanical headpieces that can be raised and lowered to foster the illusion of a cat "lunging" at another.

Other characters, such as the hyenas, Zazu, Timon, and Pumbaa, are portrayed by actors in life-sized puppets or costumes.

The Timon character is described by Taymor as one of the hardest roles to master because the movement of the puppet's head and arms puts a strain on the actor's arms, back, and neck.

Puppets used included rod puppets, shadow puppets, and life-sized puppets. Composer Lebo M led the original Broadway chorus.

A new section of the production, the Lioness Hunt, features a particularly complicated dance sequence for the actresses, and the dance is made even more difficult by the large headpieces worn during the scene.

During the show's run in China, Chinese elements were included in the musical. The cast even cracked jokes and attempted conversations with the audience in Chinese.

As of June 27, , nine minutes of the Broadway version were cut, among them the entire "Morning Report" musical number. There is currently [ when?

The sun during the opening is reduced in size for the shorter-lasting tours. Stage sizes are also smaller, and the size of the pit orchestra is decreased.

Led by Buyi Zama, the cast performed Circle of Life. A Los Angeles production began performances at the Pantages Theatre on September 29, , with an official opening on October 19, The show closed on January 12, , after performances.

The cast was led by Fuschia Walker. A Canadian production was staged in Toronto and ran for nearly four years at the Princess of Wales Theatre.

The show was directed by the original director Julie Taymor and premiered on April 25, This first Canadian staging comprised 1, performances and was seen by 2.

In May , it was confirmed a new production of the musical, this time in Spanish. Carlos Rivera returned to the role of Simba, which he also took in Spain four years earlier.

The lyrics of the songs of this production differed from the European Spanish one. South-African actress Shirley Hlahatse was chosen as Rafiki, marking the first time in years a completely new actress was elected for that role.

The cast contained mainly Brazilian actors and seven South African actors. Actress Phindile Mkhize, who had previously performed in many of the show's productions, was selected as Rafiki for this production, leaving in October and being replaced by Ntsepa Pitjeng.

The show closed its doors on December 14, After the success of the Broadway show, the show opened in the United Kingdom in on October 19, Taymor directed the British production of the show, with Melissa De Melo as the producer.

The show also toured the UK from until March In both performances, the song Circle of Life was performed. The German production has been playing in Hamburg at the Theater in Hafen since December and had its th performance on January 14, Access to the theater is by ferry, where the boats are decorated in the colors of the musical and are named after characters in the musical such as Nala and its sister ship Rafiki.

A revival of the show's Dutch production began performances in the same Circustheater in October On October 20, , the first Spanish production opened at Teatro Lope de Vega in Madrid , where it is still running after more than 2, performances.

In Basel , Switzerland , the musical was performed for the first time from March 12, , until October 11, The Lion King was the first production to take place in the new theatre.

The cast featured 53 artists, of whom all were South African. The show was translated into Japanese and staged by the Shiki Theatre Company.

The musical had a Korean production from October 28, , to October 28, , at the Charlotte Theater in Seoul, where it ran for performances.

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